My main use would be general photog with some portraiture. This Sigma 35mm f/1.2 Art lens enables a creation of artwork with astounding resolution and large bokeh effects, such as portraits that make use of a shallow depth of field. It can achieve this using Sony’s Extreme Aspherical (XA) and Super ED elements coupled with a fast f1.8 focal ratio and longer focal length for a shallower depth-of-field. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. would I see a difference at 100% crop between an image from the Tamron 70-180 and an image from Sony 70-300 G? and compact, the Tamron 28-75mm F2.8 for Sony E-Mount delivers superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh) provided by fast F/2.8 aperture. The optical design incorporates three extra-low dispersion elements to reduce chromatic aberrations and two XA (extreme aspherical) elements, which significantly control spherical aberrations for a high degree of image sharpness and clarity. Laowa 10-18mm f/4.5-5.6 FE ($849) The world’s widest zoom lens for Sony E-mount full frame cameras. Voigtlander 110mm f/2.5 Macro Apo-Lanthar ($498), Sigma 14-24mm f/2.8 DG DN Art Lens ($1,399), Tamron 17-28mm f/2.8 Di III RXD Lens ($899), Sony Zeiss FE 16-35mm f/4 ZA OSS ($1,348), Tamron 28-75mm f/2.8 Di III RXD Lens ($879), Sony FE 70-300mm f/4.5-5.6 G OSS ($1,198), Sony FE 100-400mm f/4.5-5.6 GM OSS ($2,498), Sony FE 200-600mm f/5.6-6.3 G OSS ($1,998), « Fujifilm X-T3 Firmware Update Version 4.0 to be Released on October 28, 2020 Fujifilm X-T4 Black Friday & Cyber Monday Deals », Best Memory Cards for Blackmagic Design Pocket Cinema Camera 6K Pro, Panasonic 70-300mm f/4.5-5.6 Macro OIS Lens Announced, Price $1,249, Fujifilm GFX 100S Owner’s Manual Now Available, Nikon Z7 II and Z6 II Firmware Update Version 1.10 Officially Announced, Blackmagic Design Announces New Blackmagic Pocket Cinema Camera 6K Pro. Il y a aussi des traces de franges d’aberrations chromatiques sur les bords, Le flou d’arrière plan est excellent, très doux même quand l’arrière plan est fouilli, Le rendu des couleurs est très bon et naturel, Les 3 photos suivantes du couple illustrent l’effet de compression et la quantité du flou d’arrière plan obtenu en augmentant la focale tout en gardant le meme cadrage, Très bon résultats en vidéo avec un très beau flou d’arrière plan très doux et un très bon rendu des couleurs, globalement de très beaux portraits peuvent être obtenus, L’AF est très bon pour une focale donnée , mais quand on zoom , la mise au point tarde parfois à se faire (sur mon exemplaire de pré-production – à retester avec un exemplaire final), Le Tamron atteint l’excellence au centre surtout dans les focales en dessous de 135mm , les performances deviennent progressivement moins bonnes jusqu’à atteindre le grade bon à très bon à 300mm. Three fluorite elements reduce chromatic aberration and one ED element further increases performance and image quality by reducing flare and ghosting while shooting in harsh conditions. Tamron 28-75mm f2.8 Lens on Sony A7III After One Year Later Review - YouTube. Well-suited to interior, architectural, and astrophotography applications, the Batis 18mm f/2.8 blends its extremely wide 99° angle of view with a high degree of functionality and it is extremely sharp all the way to the corners. The maximum f1.8 aperture yields sharp and detailed photos even in low-light conditions, while its newly rearranged dual-autofocus groups allow for a 0.7-meter minimum focus distance and x0.25 maximum magnification. so it depends what you are looking at : if centre sharpness is the main focus for you then Tamron. Sony FE 35mm f/1.8 Lens ($748): The compact and lightweight Sony FE 35mm f/1.8 prime lens provide mobility and convenience for shooting a wide range of subjects from everyday snapshots, food photography, landscapes, night scenes and more. Zeiss Batis 85mm f/1.8 ($1,199): An ideal portrait-length lens, this Zeiss Batis 85mm short telephoto has been designed specifically for full-frame E-mount mirrorless cameras: superb sharpness, fast & quiet auto focus and Dust and weather sealed. Sony FE 70-300mm f/4.5-5.6 G OSS ($1,198): Ideal for travel, landscape and wildlife photography, the newly announced FE 70-300mm f/4.5-5.6 G OSS lens features a state-of-the-art optical design including four aspherical glass elements, two ED (Extra-low Dispersion) glass elements and Sony’s Nano AR coating, which all work together to effectively suppress spherical aberration, distortion, and chromatic aberration. And it’s an okay solution for those on a budget. For best sharpness always close down by one stop, What is striking is the smooth background blur you always got with this lens, 2.2 Vignetting , chromatic aberrations , distorsion, flare, sunstars, Vignetting is quite present wide open at all focal length and will decrease significantly at F8, Distorsion is in barrel at 70mm then in pincushion (quite strong) from 100mm to 300mm, Lateral Chromatic aberrations are very low, Resistance to flare is good but not very good, There is not yet a Lightroom Lens profile for this lens, The Bokeh balls are good wide open but when closed down you see quickly an heptagon. The new lens provides outstanding corner-to-corner image quality from a maximum F1.8 aperture and its quiet autofocus and tenacious tracking performance make it a great choice for both stills and movie shooting. Sony Zeiss FE 50mm f/1.4 ($1,498): With its normal perspective, fast maximum aperture, and high-end design, the Planar T* FE 50mm f/1.4 ZA Lens from Sony is easy to see as a go-to standard optic for full-frame E-mount shooters. December 3, 2020, Saitama, Japan – Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the launch of the 17-70mm F/2.8 Di III-A VC RXD (Model B070), a high-speed standard zoom lens for Sony E-mount APS-C mirrorless cameras on January 14, 2021. The Sony has a little bit more nervous background blur and colors are more faded, Similar behavior in term of CA (quite low) and flare resistance (good but not excellent) between the Tamron and the Sony, The Sony has a less distorsion and has already a Lightroom Lens profiles since years. Sony FE 24-105mm f/4 G OSS ($1,298): Ideal Travel and Walkaround Lens for Sony a7 III. Globalement une bonne performance, Le Sony est globalement nettement moins piqué mais il est plus consistant du centre au bords, Le Sigma propose à la fois un très bon piqué et une belle consistance centre-coins, mais avec une taille et un poids sans commune mesure, En terme de pure performance le Sigma est #1 , le Tamron #2 et le Sony #3 , en terme de rapport piqué/poids le Tamron est #1, Le Tamron et le Sigma sont les meilleurs en terme de douceur du flou d’arrière plan et de rendu des couleurs. The Tamron will need a correction for architectural topics between 135 and 300mm, We don’t reach the sharpness and bokeh quality of the, ,but for almost half the price the results are very good, The Tamron 70-300 F4.5-56.3 Di III RXD (700 euros) is a very good telephoto lens for a A7c or A7III. Le nombre de lames de diaphragme est aussi plus réduit (7 au lieu de 9), mais il garde la protection tout temps et se paye le luxe d’un AF légèrement meilleur que le Sony, Le Sigma 100-400 est lui dans une autre catégorie avec un poids deux fois plus élevé et un prix 50% plus cher, mais cela peut être une bonne alternative si le poids ne vous dérange pas, Background Blur & Bokeh Balls / Flous d’arrière plan et Ronds de Bokeh, Both the Tamron and the Sony are very good , but the Tamron is a bit better than the Sony, L’AF est très bon sur le Tamron et le Sony mais avec un avantage certain pour le Tamron de conception plus récente, Very good results in portraits and for far distance subject : sharp , natural color rendering , soft background blur, We don’t reach the sharpness and bokeh quality of the Tamron 70-180mm F2.8 Di III VXD,but for almost half the price the results are very good, Très beaux résultats en portrait et sujets éloignés : bon piqué , beau rendu des couleurs, très naturel, et flou d’arrière plan doux, On n’atteint pas les performances du Tamron 70-180mm F2.8 Di III VXD, mais pour la moitié du prix ce sont de très bons résultats. Characterized by both its fast f/2.8 maximum aperture and inclusion of OSS (Optical SteadyShot) image stabilization, this lens is ideally-suited for handheld shooting of distant and fast-moving subjects. All new Tamron lenses for Sony E-mount full-frame mirrorless cameras are compatible with many of the advanced features that are camera-specific. It features a compact, lightweight design for mobility, with high-performance optics and a large F1.8 maximum aperture that deliver outstanding image quality. Built-in Optical SteadyShot image stabilization minimizes blur that can occur during low light or macro shooting. For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. The precisely configured 9-blade aperture delivers smooth, pleasing bokeh at all settings. for the article I only update it every 10 lenses or so, as it take a lot of work to redo the various print screens and edit the article. Offering outstanding image quality, impressive 10 fps continuous shooting rate, improved autofocus performance and UHD 4K video, the Sony a7 III is a well-rounded camera suitable for both photo and video applications in a variety of working situations. De plus l’AF ne sera pas aussi en mouvement que sur un sujet fixe et que un zoom F2.8, Dans la série ci dessous , toutes les photos sont nettes , aucun raté , mais toutefois on n’obtient pas le même piqué que sur un sujet statique, The tests were made on a Sony A7RIV with its 61Mpix, Les tests ont été effectués sur un A7RIV avec ses 61Mpix, Sharpness for portraits / Piqué pour les portraits, The main competitor is the Sony FE 70-300mm f/4.5-5.6 G OSS (1200-1500 euros) which cost almost the double of the price and weight 50% more, I am also including a comparison with the new Sigma 100-400mm F5-6.3 DG DN OS Contemporary (1000 euros) which is 2 times heavier and 50% more expensive, Le Tamron vient concurrencer directement le Sony FE 70-300mm f/4.5-5.6 G OSS (1200-1500 euros) qui coute près du double et pèse 50% en plus, J’inclus aussi quelques éléments de comparaison avec le nouveau Sigma 100-400mm F5-6.3 DG DN OS Contemporary (1000 euros) qui est deux fois plus lourd et 50% plus cher, From a specifications perspective the Tamron is significantly lighter and much less expensive than the Sony. (I like having 300mm on my a7iii), To sum it up. So, this Tamron 17-28mm F/2.8 Di III RXD lens for Sony E mount is an ideal lens with affordable price for landscapes, architecture, close up portraits, and architectural shooting. And our award-winning DSLR lenses are perfectly compatible with mirrorless cameras when using the manufacturer adapter. Zeiss Batis 85mm f/1.8 A longstanding favorite of Sony a7III portrait photographers, the Zeiss Batis 85mm f/1.8 offers excellent optics at an accessible mid-range price. Its maximum aperture of f/2.8 is effective when shooting in low light and allows for shallow depth-of-field focus. Tamron 17-28mm f/2.8 Di III RXD Lens ($899): Comprising a flexible wide-angle range, the 17-28mm f/2.8 Di III RXD from Tamron is a versatile zoom for full-frame Sony E-mount mirrorless cameras. Because if you look at your answer above, you told me 70-300 best the 28-200 in terms of sharpness…. Shooting up close at F2.8 can produce some extraordinary background bokeh. If you want a less expensive 85mm lens, try the Zeiss Batis 85mm f/1.8. The bright F1.4 maximum aperture offers excellent low light performance and adds to the 11-blade aperture and aspheric elements for gorgeous bokeh. Ideal lens with affordable price for landscapes, architecture, close up portraits, and architectural shooting. Characterized as an apochromat, the Sonnar optical design helps to virtually eliminate chromatic aberrations and color fringing, and also benefits overall sharpness and clarity. Just take a look at the Best Lenses for Sony A7III full frame mirrorless camera. Very popular! Tamron 28-75mm f/2.8 Di III RXD Lens (B&H, Amazon) It wasn’t long ago that people were complaining there wasn’t a mid-range f/2.8 zoom for Sony. Tamron’s New Low Price on Unbeatable Primes for Sony [Update] Notice about compatibility for Canon EOS R5 / EOS R6 with Tamron lenses (Model F045/A037) Tamron announces world’s first 17-70mm F2.8, wide range 4.1x standard zoom lens with VC for APS-C mirrorless cameras This lens is designed for the full frame E-Mount cameras like the Sony A7 III, and A7r III for example. Featuring a sophisticated optical design, a series of low dispersion and aspherical elements is used to minimize both chromatic and spherical aberrations throughout the zoom range in order to achieve high sharpness, clarity, and color accuracy. Leaving aside the fact that that body will readily resolve camera movement, subject movement and heat haze, maybe the AF design doesn’t help: Opinion on Tamron 150-600 G2 on Sony A7III - which mount now 6 months ago Ok, I've decided to go with the Tamron 150-600mm G2 after much reading and sharpness/focus/aperture comparisons over the Sigma contemporary. Why is this Marc? You also see some border fringing, The background blur is excellent : very soft even with busy background, The 3 photos below of the couple illustrate the compression effect and the amount of background blur as the focal length increase while retaining the same framing, Very good results in term of background blur smoothness and color rendition in video, very nice rendering for portraits, for a given focal length, but when you zoom in the lens is slow to keep the focus (note this test was made on a pre-production model), (1200-1500 euros) which cost almost the double of the price and weight 50% more, I am also including a comparison with the new, (1000 euros) which is 2 times heavier and 50% more expensive, The Tamron reach excellence in the centre at focal length < 135mm , performances are progressively becoming less good as you reach 300mm. Chromatic aberration and distortion are very well controlled. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture, which excels in low-light conditions and also offers increased control over depth of field. I would also like to know the difference to stabilized sony fe 70-300 and 70-350. Although you regularly reach excellent to very good sharpness at all focal lengths at F8 you clearly see that the lens is not able to fully resolve the 61Mpix of the A7RIV, but this is clearly not the target for this lens. Bright f/2 maximum aperture benefits working in low-light conditions and also offers control over the focus position when using selective focus or shallow depth of field techniques. Sony FE 600mm f/4 GM OSS ($12,998): Combining a super telephoto length, bright aperture, and lightweight design, the FE 600mm f/4 GM OSS Lens from Sony is designed for their E-mount cameras and is ideal for sports, news, wildlife, and nature photographers. Compatible with Sony’s 1.4x and 2.0x teleconverters, extending the reach to a maximum of 840mm at F9 or 1200mm at F13 with outstanding image quality and AF performance. Class-leading size and weight reductions have been achieved while maintaining outstanding optical performance. It allows users to get close to subjects with a 13.7″ minimum focus distance and a 1:1 magnification ratio. Digitalcamera.jp shared the first image of the new Tamron 70-180mm f/2.8 FE lens mounted on the Sony A7III. This lens also features fast, precise and quiet autofocus capabilities in both still and video shooting, making it an ideal complement for versatile shooting such as landscape, portrait, wedding and so on. Sony FE 24-70mm f/4 ZA OSS ($1,198): If you can’t afford the FE 24-70mm f/2.8 GM lens, the FE 24-70mm f/4 ZA OSS lens will be a great choice for you! Voigtlander 110mm f/2.5 Macro Apo-Lanthar ($498): Featuring an apochromatic design, the Voigtlander 110mm f/2.5 Macro Apo-Lanthar can produce detailed images with little to no aberration, even with the high resolutions of modern digital sensors. The number of Aperture blades is also reduced to 7 instead of 9, but it still keep weather sealing and has a faster and more efficient AF than the Sony, The Sigma 100-400 is in another category : its weight is the double the Tamron and its cost is 50% more, but this maybe also a good alternative at a reasonable price if you are not afraid of the weight, D’un point de vue spécifications, le Tamron est notablement plus léger que le Sony et beaucoup moins cher. Built-in optical stabilisation with three different mode settings allows images to be sharp and in-focus at extended super-telephoto focal lengths. In order to help you get a professional-like shot, here we collected the top recommended and most suitable native full-frame E-Mount lenses for Sony a7 III mirrorless camera including leading prime and zoom options from wide-angle to telephoto, which helps you choosing the exact lens of your demanding situation. The bokeh is silky smooth and it also offers fast, precise AF drive, plus top-level control and reliability that make it an outstanding choice for professionals. Also, it has a linear autofocus motor and internal focus design that provides fast, accurate, and reliable focusing. But as this is a guide to wide angle lenses for the Sony a7III, it seems safe to assume that you are already well covered for stabilization. Ideal for general photography! ZEISS, Tamron, Sigma and some others have gotten into making lenses with tons of features for Sony cameras like the a7 III and a7S III. True, you don’t get image stabilization with this lens. Sony 24mm 1.4, Sony 35mm 1.4, or the Sony 55mm 1.8? Please … Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. Sony A7II and the PK to Nex lens adapter. Recently, they have offered some very interesting options for Sony Mirrorless camera users. Here we list all the top recommended E-mount lenses for Sony a7 III mirrorless camera. Sony FE 24-240mm f/3.5-6.3 OSS ($998): Able to cover everything from wide-angle to telephoto in a single compact form factor, the Sony FE 24-240mm f/3.5-6.3 OSS lens is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events, and it is ideal for landscape, snapshots, portraits and travel where reducing luggage is a priority. A 10-blade diaphragm is also present for silky smooth bokeh and the electronic contacts on the rear of the lens transmit Exif data to the body as well as enable in-body image stabilization. Pursuing an unprecedented balance of image quality, light weight and compact size. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. Thanks. Sony FE 12-24mm f/4 G Lens ($1,698): Sony’s widest full-frame E-mount lens. Best Overall – Tamron 28-75mm F/2.8 Di III RXD. It is an absolute must for wide-angle fans who try manual focus often and want to capture even the tiniest details of a special moment in a photo or on film. ), On a7riv if you crop to keep 24 pix you will have same magnification at 180mm vs 300mm on a7iii The lightest in its class, weighing in at only approx. Sony’s new FE 24-105mm F4 G OSS lens delivers excellent corner-to-corner sharpness throughout the entirety of its zoom range, while also producing beautifully rendered ‘bokeh’ or background defocus at all focal lengths. Now there are at least three options. When you change that setting to AF the burst rate drops noticeably. Editor’s Rating: 4.7/5. Leaving aside the fact that that body will readily resolve camera movement, subject movement and heat haze, maybe the AF design doesn’t help: Which Lenses to maximise the potential of the Sony A7RIV? Ideal for landscapes, architecture, close up portraits, sports, action and much more. I am looking for a light weight 300mm f8 (good IQ) for my A7 III, and i cant decide if the tamron is preferable to the sony 70-350 (16mp crop is fine for me), the crop on A7III will be 11Mpix Thanks. I just found an old post from Brian Smith … The bright F1.4 maximum aperture takes the stress out of working in difficult lighting conditions, and provides shallow depth of field for greater point of focus control, while the circular 9-blade diaphragm delivers pleasing bokeh at all settings. Sony FE 70-200mm f/2.8 GM OSS ($2,598): Pro-grade image quality and build. Watch later. The bright f/1.4 maximum aperture takes the stress out of working in lighting conditions, and provides shallow depth of field for greater point of focus control. One of the competitors is Tamron with their 28-75mm f/2.8, which happens to be one of the smaller and lighter picks. On a7Riii (or a7Riv!) : no button on the lens. 1. Our editors created a list of best lenses, recommended lenses for your Sony A7 III? With 9 prime lenses ranging all the way from 14mm to 135mm, Sony shooters certainly don’t have a lack of choice any longer, especially considering the lovely f/1.4 sexyness of these lenses. Sony FE 100-400mm f/4.5-5.6 GM OSS ($2,498): Highly recommended! Well-suited to astrophotography and low-light outdoor shooting, this lens presents a unique blend of a broad perspective and fast, flexible performance. A Sony lens will allow you to take full advantage of the features of your A7iii in ways other lenses may not. It features a very fast and bright f/1.8 maximum aperture to support working in dimly-lit conditions and for greater control over focus for shallow depth of field imagery. Blending an ultra-wide angle of view with a relatively fast f/2.8 aperture, this 14mm lens makes a great option for Sony shooters looking to get a unique perspective that is well suited to architecture, landscapes, and more. 00. Sigma 35mm f/1.2 DG DN Art Lens ($1,499): First wide-angle AF lens with F1.2 maximum aperture! If you don’t have that much light from the maximum aperture, and if the ambient light is in any case not great and the subject not contrasty, then CD will struggle. But with a better quality with the tamron 70-180. what do you think between this one and the Tamron 28-200mm di rxd for landscape ? Sony was first to the full-frame mirrorless game and that comes with many advantages. For professional portrait photographers and those who want the very highest in quality, the new Sony FE 85mm f/1.4 GM Lens is the lens you must need and you won’t find a better FE-mount lens! 3040g, the FE 600mm F4 GM OSS features an extremely balanced design to ensure the best possible shooting experience. Three low dispersion glass elements and three aspherical elements, including a double-sided element, effectively control spherical aberrations and distortion for increased sharpness and accurate rendering. did you test for low shutter speed at 300mm? In addition, the Sony FE 1.4x & FE 2.0x Teleconverters ($548) are currently only compatible with the Sony FE 70-200mm F2.8 GM, the Sony 100-400mm F4.5-5.6 GM, the Sony 200-600mm F5.6-6.3 G, the Sony FE 400mm F2.8 GM and the Sony FE 600mm F4 GM lenses. I just bought a Sony A7iii and so far I have the Sony FE 16-35 f4 (mainly for real estate) and the Sony FE 24-105 f4 (for traveling to make cinematic videos and pictures) I don’t know if that lens will be good enough for hand held low light situations when I travel. Like the Sony a7 III a Pentax camera high-performance optics and a Fluorine-coated front element to resist dust and.... Lens adapter deliver outstanding image quality standpoint, the Sony a7 III anti-reflective coating been. Achieved while maintaining outstanding Optical performance in the sharpness board for the best lenses for Sony E-mount full camera... Sharpness board for the bellows is 25mm when tightened all the top FE portrait lens DSLR are... 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Constant maximum aperture benefits working in low-light conditions will the reach be enough ( cropping ) with the Tamron.! Close-Up capability up to 0.25x magnification lengths, this lens is designed for bellows... In low light photography is Tamron with their 28-75mm f/2.8 Di III RXD lens ( $ ). These lenses with my A9 and A7R III even with the Tamron a Nauticam 180mm port and 40mm,. Balanced, and reliable focusing landscape, astrophotography, and shots are that! Your ranking put, the Sony a7 III features almost Same core specification as of Sony A9 camera you! Image stabilization, ensures beautiful high-resolution results for both lens without doubt for portrait photography, and! Boutons de contrôles sur l ’ objectif pour minimiser les coûts pursuing an unprecedented of! Pick for Overall rendering and sharpness? alloy body weighing roughly 950g and a magnification... Like the Sony a7 III wide full-frame E-mount lens with affordable price for,! For shallow depth-of-field focus Manual focus wide angle Prime lens sorely needed – an affordable but capable standard....